AbstractsPhilosophy & Theology

NATURALISM AND SUPERNATURALISM IN ANCIENT MESOAMERICA: AN ANALYSIS OF OLMEC ICONOGRAPHY

by Sarah Silberberg Melville




Institution: The University of Montana
Department: Fine Arts
Degree: MA
Year: 2014
Keywords: shamanism; were-jaguar; Mesoamerica; Olmec; composite imagery
Record ID: 2025945
Full text PDF: http://etd.lib.umt.edu/theses/available/etd-04162014-105615/


Abstract

Olmec iconography was a product of close observation of the natural world as well as shamanic trance visions. The Olmec transmitted their knowledge of the natural world in their naturalistic imagery and their knowledge of shamanism in depictions of precise ecstatic trance postures and supernatural composite imagery. Inherent to both artistic traditions is an understanding of the transformative processes of both the natural world and of the shamanic visionary experience. Additionally, the Olmec used their carving technique to inform and educate their intended viewers about the performance of transformative shamanic practice.